Xiomara Santamarina provides an insightful introduction to this edition that includes newly discovered information about Potter, discusses the author's strong satirical voice and proud working-class status, and places the narrative in the context of nineteenth-century literature and history. Claude Monet, The Gare Saint-Lazare (or Interior View of the Gare Saint-Lazare, the Auteuil Line), 1877 (oil on canvas). Edmonia Lewis, Old Arrow Maker,1872 (marble sculpture). Because her work offered insights into the private lives of elite white women, Potter carved out a literary space that featured a black working woman at the center, rather than at the margins, of the era's transformations in gender, race, and class structure. Eliza Potter, Author’s Appeal and Chapter 1 of A Hairdresser’s Experience in High Life, 1859 (memoir). But more important is Potter's portrait of herself as a wage-earning woman, proud of her work, who earned high pay and accumulated quite a bit of money as one of the nation's earliest "beauticians" at a time when most black women worked at the bottom of the socioeconomic ladder. Potter was a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women-and she recorded it all in a revelatory book that delighted Cincinnati's gossip columnists at the time. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.Here is the first fully annotated edition of a landmark in early African American literature-Eliza Potter's 1859 autobiography, A Hairdresser's Experience in High Life. Years later, University of Cincinnati professor Sharon Dean. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. It was called A Hair-Dressers Experience in High Life and it was written by Eliza Potter. Here is the first fully annotated edition of a landmark in early African American literature - Eliza Potters 1859 autobiography, A Hairdressers Experience. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Īs a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. This work is in the public domain in the United States of America, and possibly other nations. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work was reproduced from the original artifact, and remains as true to the original work as possible. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
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